Sakshi Gallery

Collab - Curated by Jesal Thacker

May 14, 2020 - June 3, 2020

Collab
Curated by Jesal Thacker

Throughout history, nature has been the witness and inspiration for many artistic expressions, scientific explorations and philosophical enquiries. From a sense of amazement and beauty to becoming the means for intuitive knowledge and understanding the abstract notions that lie beneath and beyond, it is today a subject of ecological concern. It has and will always be a stimulus for creative intelligence and evolution as we survive entirely on its existence. Humans are coherent partners with this co-existence except that in recent years they have tried to become masters, leading to an unbalance and exploitation of nature.

The purpose of this curated series is to witness once again the many artistic expressions that reflect upon the influence our nature has over us; it’s aesthetic order, harmonious notations, hidden chaos, along with the discordant hues and deteriorating forms. It’s expressions as classical landscapes, abstract formations and contemporary revolutions trace the story of nature and our relation with it. From patterns that connect and soothe, it has transformed into conflicting forms and sounds that disturb and disengage, precisely representing our lost equation with nature. We may attribute this decay to overconsumption, consumerism, industrialisation, progress etc. yet the question: aren’t we all part of this process and equally responsible for this collapse?

Not all can reform and revolt the current system, enforcing solutions and programs, but we surely can become aware and grow sensitive to the expanding dichotomy. Through informed measures we can educate ourselves about the ecological urgency and work collaboratively towards its sustainability and conscious co-existence. F. David peat, a holistic physicist very aptly expresses, “What our planet requires are not violent revolutions, or vast government programs imposed from above but a new action that is sensitive and highly intelligent. This action must grow out of our sense of harmony and relationship to nature and each other. It has its source in very gentle but coordinated activity that sweeps inwards and outwards so that the whole system is able to produce its own healing. Each of us is empowered to face the problems that challenge the planet and, by developing a greater sensitivity and a more meaningful relationship to the whole of life, this ability to heal ourselves and our planet will echo around the world just like those tiny ripples in a lake that grow into a giant wave. If there is to be hope for the future then it must begin with the creativity and sensitivity of each one of us.”

Collab, is an effort towards this realisation as a collective laboratory, exploring and experimenting with forms and texts that remind us of nature's harmonic order and its looming ecological disorder. An effort to be conscious and work collaboratively towards a sustainable co-existence.

It is said that it takes three weeks to transition old memory patterns into new ones, and so this first series will last for twenty-one days, each day revealing new expressions and a renewed awareness about these creative explorations. Breaking away from the norm, the entire list of artists/art works will not be disclosed instantly, we will instead organically construct refreshing and engaging discourses every day.

Aaditi JoshiAtul BhallaGanesh HaloiHG ArunkumarJayashree ChakravartyMadhu DasManu ParekhMeghna PatpatiaNandita KumarNavin ThomasPrabhakar BarwePradeep MishraPrajakta Palav AherRatna KhannaRavi AgarwalReena Saini KallatSakshi GuptaSamanta Batra MehtaSanjeev & VaishaliSonia Mehra ChawlaVibha GalhotraVivek Vilasini
Atul Bhalla | Anhedonic Landscape I | 2018 | Archival Pigment Print. Edition of 3 | 30 X 45 inchesAtul Bhalla | Anhedonic Landscape II | 2018 | Archival Pigment Print. Edition of 3 | 30 X 45 inchesAtul Bhalla | Anhedonic Landscape III | 2018 | Archival Pigment Print. Edition of 3 | 30 X 45 inchesAaditi Joshi | Untitled | 2016 | Fused plastic bags, acrylic paint | Display size: 288 x 78 x 108 inchesAaditi Joshi | Untitled I | 2008 | Dry pastels on paper | 13 x 11 inchesAaditi Joshi | Untitled III | 2008 | Dry pastels on paper | 29 x 39 inchesAaditi Joshi | Untitled IV | 2008 | Dry pastels on paper | 29 x 39 inchesGanesh Haloi | Untitled | 2006 | Gouache on Paper | 22.5 x 30 inchesGanesh Haloi | Untitled | 2003 | Watercolour on paper | 24 x 30 inchesGanesh Haloi | Untitled | 2017 | Watercolour on paper | 5.25 x 7.5 inchesGanesh Haloi | Untitled | 2017 | Watercolour on paper | 5.25 x 7.5 inchesGanesh Haloi | Untitled | 2017 | Watercolour on paper | 5.25 x 7.5 inchesGanesh Haloi | Untitled | 2017 | Watercolour on paper | 5.25 x 7.5 inchesGanesh Haloi | Untitled I | 2018 | Gouache on Nepali handmade paper | 19.5 x 30 inchesGanesh Haloi | Untitled II | 2018 | Gouache on Nepali handmade paper | 19.5 x 30 inchesGanesh Haloi | Untitled III | 2018 | Gouache on Nepali handmade paper | 19.5 x 30 inchesH. G. Arunkumar | Man’s WorldJayashree Chakravarty | Healing Lines | 2020 | Pencil, Charcoal, Graphite, on paper. Set of four units | 70 X 120 inchesMADHU DAS | The Landscape of Confronted Abstraction, Hyderabad | 2015 | Archival inkjet print on acid-free paper | 40 x 26.7 inchesMADHU DAS | The Landscape of Confronted Abstraction. Doddaballapura, Karnataka | 2018 | Archival inkjet print on acid-free paper | 40 x 26.7 inchesMADHU DAS | The Landscape of Confronted Abstraction. 8th Century Madapeshwar Cave, Mumbai | 2018 | Archival inkjet print on acid-free paper | 40 x 26.7 inchesMADHU DAS | The Horizon | 2009 | Photo print on acid-free paper | VariableMeghna Patpatia | Germinate | 2017 | Ink On Paper & Textile | 28.5 x 48 inchesMeghna Patpatia | Arid | 2018 | Ink on paper & textile | 36 x 48 inchesMeghna Patpatia | Where to Now my Beloved | 2018 | Ink on paper & textile (polyptych) | 36 x 24 inchesMeghna Patpatia | Where to Now | 2018 | Mixed media on magnifying glass, metal frame & handle held against different surroundings | 5(h) x 1.8 (Diameter of glass) inchesMeghna Patpatia | Where to Now | 2018 | Mixed media on magnifying glass, metal frame & handle held against different surroundings | 3.5(h) x 1.5 (Diameter of glass) inchesMeghna Patpatia | Different view of the magnifying glassMeghna Patpatia | Submerged Abundantia-II | 2020 | Ink on paper & textile | 48 x 60 inchesManu Parekh | UntitledNandita Kumar | News from Nowhere Land | 2013 | Light interactive sound installation | 18 inches height, area coverage: 42 x 60 inchesNandita Kumar | eLEMenT: EARTH | 2012 | Light|sun and movement reactive sound installation | 24(h) x 15 inches diameterNavin Thomas | Visitor | Digital print | VariableNavin Thomas | Visitor | Digital print | VariableNavin Thomas | Visitor | Digital print | VariablePrabhakar Barwe | Endangered Existence | 1993 | Oil on canvas | 42 x 48 inchesPrabhakar Barwe | Existence | 1986 | Enamel on Canvas | 47 x 55 inchesPrajakta Palav Aher | Urban Mountain | 2019 | Acrylic on canvas | 60 x 48 inchesPrajakta Palav Aher | Jhoomer | 2019 | Acrylic on canvas | 72 x 60 inchesPradeep Mishra | HolyCow | Oil on canvas | 60 x 84 inchesPradeep Mishra | Living High Hope | Oil on Paper | 9.5 x 12.5 inchesPradeep Mishra | Living High Hope | Oil on Paper | 11.75 x 16.5 inchesRavi Agarwal | Else all will be Still | 2016 | Archival photographic print | 26 x 37.5 inchesRavi Agarwal | Ecological Manifesto I,II,III | 2015 | Set of 3 archival photographic prints | 21.5 x 32 inches eachReena Saini Kallat | Garden Of Forking Paths | 2017 | Gouache, charcoal, ink and electric wire on handmade paper (four panels) | 58 x 58 x 3 inches eachReena Saini Kallat | Hyphenated Lives | 2016 | Gouache, Charcoal, Ink and electric wire on handmade paper, Black boards, Wooden vitrines, Unfired clay, Postcard | VariableRatna Khanna | Ugly Bird | 2016 | Graphite on paper | 8 x 8 inchesRatna Khanna | Untitled | 2016 | Graphite on paper | 42 x 60 inchesRatna Khanna | Untitled | 2014 | Archival print on paper. Editions: 1|7 + 1 AP | 20 x 20 inchesRatna Khanna | An Artifact for the Future | 2018 | Archival print on paper. Editions: 1|7 + 1 AP | 12 x 18 inchesSonia Mehra Chawla | Embryonic Plant, Hyperbloom. From The Series ‘Embryonic Plant And Other Worlds’ | 2013-2015 | Acrylic, Serigraph, Inks And Oils On Canvas. Triptych | 78 x 108 InchesSonia Mehra Chawla | Universe in Details’- I. From the ‘Critical Membrane’ series Photomicrography | Limited Edition Archival Prints on Hahnemuhle Museum Etching Paper. Set of 14 units | 24 x 14 inches eachSonia Mehra Chawla | Scapelands I | 2013-15 | Limited Edition, original hand pulled Etchings Printed on Somerset Velvet archival paper, 300 gsm | 15 x 22 inchesSonia Mehra Chawla | Scapelands II | 2013-15 | Limited Edition, original hand pulled Etchings Printed on Somerset Velvet archival paper, 300 gsm | 15 x 22 inchesSonia Mehra Chawla | The Salt Lab SeriesSakshi Gupta | Whirlpool. From the series, ‘I Marvel at Your Forgetfulness’ | 2017 | Metal scrap, magnet | VariableSakshi Gupta | From the series, ‘Become the Wind’ | 2013 | Metal scrap | 79 x 29.5 x 19 inchesSakshi Gupta | From the series, ‘Become the Wind’ | 2013 | Aluminium, cast concrete | 59 x 30 x 27 inchesSanjeev & Vaishali | Apocalypse – Raga Sarang from the series | Silk on silk | 72 x 44 inchesSanjeev & Vaishali | The Doom – calling All Men to Judgement | 2010 | Embroidery on silk, with acrylic & dyes, artificial jari & old textile borders on silk | 72 x 48 inchesSanjeev & Vaishali | This is the way the world ends, This is the way the world ends, This is the way the world ends, Not with a bang but a whimper | 2018 | Urban excreta made of Synthetic resins, polyvinyl acetate thermoplastic resin, calcium sulphate dehydrate, gypsum, coloured leather waste, Mumbai dust, dung, sand, plastic water bottles, waste metal scrap, building debris and fish skeleton etc fossilised. | 12.5 H X 21 L X 14 D InchesSamanta Batra Mehta | Within|Sanctuary III | 2020 | Ink on Archival PaperSamanta Batra Mehta | Within|Sanctuary II | 2020 | Ink on Archival PaperSamanta Batra Mehta | Within|Sanctuary I | 2020 | Ink on Archival PaperVibha Galhotra | Who Owns the Earth | 2017 | Digital Print On Paper | Installation Mixed Media, 3mts x 30mts 4th Land Art Biennial LAM 360° Mongolia, 2016 | 40 x 60 inchesVibha Galhotra | Who Owns the Water | 2018 | Installation Mixed Media Digital print on paper | 40 x 60 inchesVibha Galhotra | Breath by Breath | 2017 | Staged Photograph, digital print on archival paper | 30 x 60 inchesVibha Galhotra | Breath by Breath | 2017 | Staged Photograph, digital print on archival paper | 30 x 60 inchesVibha Galhotra | Breath by Breath | 2017 | Staged Photograph, digital print on archival paper | 30 x 60 inchesVibha Galhotra | Breath by Breath | 2017 | Staged Photograph, digital print on archival paper | 30 x 60 inchesVivek Vilasini | Too many fables on the rails, Cancer Express | 2018 | Digital Print | 57 x 112 inches